Mark Hewatt

Tag: digital

  • The Throat

    The Throat

    A feeling, a raw, visceral clench when a familiar space turns on you. The air is thick, humming, and the walls are a sick, fleshy pink. The lines all scrape inward, pulling you, forcing you down toward the dark.

    Everything here is designed to mimic that tightening in your own gullet. That patch of light on the floor isn’t a welcome. It’s a stain. It’s what the darkness leaves behind.

    But the real horror is in the details. Go on, look closer. Lean into the shadows at the end of the hall. See what’s been left on the floor.

    This is the digital version. The physical one is clawing its way into existence even as we speak.

    Technical Details:

    • Samsung Tab9 Ultra
    • Infinite Painter
  • Cemetery Road

    Cemetery Road

    And with that, the series is complete. This three-part digital collection was an exploration of seasonal whimsy and the mysterious vibes of forgotten places. From the first piece to this final one, “Cemetery Road,” my goal was to take real structures I’ve photographed and imbue them with the feeling of a modern folk tale.

    For this final installment, I used a monochromatic green palette and the enchanting glow of fireflies to create a uniquely eerie and magical atmosphere. It’s been a fantastic journey blending photography, memory, and digital illustration. Physical versions of all three are still in the works!

    Technical Details:

    • Samsung Tab9 Ultra
    • Infinite Painter

  • Hightower Road

    Hightower Road

    Continuing my new three-part illustrative series where seasonal whimsy meets eerie Americana. This second piece is titled “Hightower Road,” and it carries forward the theme of bringing old, forgotten structures back to life with a new, illustrative story.

    The style remains graphic and sketch-like, evoking the feel of a classic block print. As with the first piece, this is the digital version, and I’m continuing to develop the physical counterparts. The exploration of bridging these two mediums is at the heart of this series, and “Hightower Road” is the next step in that journey.

    Technical details:

    • Infinite Painter
    • Samsung Tab9 Ultra
  • Nunnally Road

    Nunnally Road

    I’m excited to introduce the first piece in a new three-part illustrative series. The theme is a blend of seasonal whimsy and the gentle, spooky feeling of unique, isolated structures. Over the years, I’ve collected photographs of fascinating buildings, and this series gives them a new life and a new story.

    I chose a stark, graphic style with strong linework to evoke the feeling of a classic block print or a storybook illustration. While this image was created digitally, I’m currently working on its physical counterpart, exploring the dialogue between the two mediums. This piece, “Nunnally Road,” is the beginning of that exploration.

    Technical Details:

    • Samsung Tab9 Ultra
    • Infinite Painter
  • Dragon Tree

    Dragon Tree

    The first in a new conceptual series exploring the “Dragon Tree.”

    I’ve always been fascinated by the line between a botanical specimen and its mythological namesake. This piece, inspired by a tree at the Georgia Botanical Gardens, imagines the “dragon” brooding in darkness and finally breaking free.

    To capture this, I chose the graphic language of a woodcut. The heavy use of black and the stark contrast aren’t just for drama; they represent the chasm from which the form emerges. The low, upward angle is meant to feel confrontational, putting the viewer at the base of this powerful, uncoiling creature. It’s a study in using negative space and bold lines to tell a story of transformation.

    Technical Details:

    • Samsung Tab9 Ultra
    • Infinite Painter
  • St. Simons Red Cedar

    St. Simons Red Cedar

    From the sun-drenched coast of St. Simons Island, Georgia.

    This illustration is a portrait of a single, magnificent Southern Red Cedar that caught my eye. More than just depicting the tree, this piece is a direct study in light—how a bright, clear sun can describe every twist of a branch and lay its entire structure bare in the shadows below.

    A quiet moment of observation on the Georgia coast.

    Technical Details:

    • Samsung Tab9 Ultra
    • Infinite Painter
  • Collapse

    Collapse

    My new self-portrait, “Collapse.” An unflinching look at the acidic
    passage of time, rendered in a clash of textured orange and chemical magenta. It’s about the weight of self-inspection when you feel the world, and yourself, beginning to corrode.

    The gaze is everything. It’s what’s left when the rest starts to dissolve.

    Technical Details:

    • Samsung Tab9 Ultra
    • Infinite Painter
  • The Last Echo

    The Last Echo

    The concluding piece in this triptych offers a broader, more contemplative perspective on the themes of loss and existential dread. Here, the presence of the Kauai-oo is reduced to a fleeting, almost ghost-like silhouette perched subtly on a distant branch, emphasizing its diminished existence and the ultimate quietude of its disappearance. This deliberate, near-absence of the bird underscores the finality of extinction, subtly shifting the focus from the individual’s last moments to the broader, irrevocable impact of external forces. The background introduces the striking element of illuminated modern structures in the twilight, a stark visual representation of humanity’s indelible footprint and its often-unintended role in irreversible environmental shifts.

    The choice of an ochre palette and the intentional light direction are crucial in enhancing the pervasive sense of existential dread. These elements work in concert to evoke a somber atmosphere, highlighting the contrast between the natural world’s fading resilience and the relentless march of human development. From a human perspective, this composition serves as a meditation on our own fleeting relevance against the enduring, indifferent presence of our creations. It reflects on the poignant struggle of individual and collective efforts against an “immovable future,” suggesting how human constructs persist in solid ignorance of their creators’ struggles, desires, or ultimate demise, thereby amplifying the profound sense of powerlessness in the face of an unfolding destiny that has no regard for our personal narratives or pleas.

    Technical Details:

    • Samsung Tab9 Ultra
    • Infinite Painter

  • Facing the Silence

    Facing the Silence

    This digital illustration, rendered in Infinite Painter on a Samsung Tab9 Ultra, delves into the profound sorrow of extinction through the form of the Kauai-oo, a bird whose final song was one of solitude. My intent was to visually capture the harrowing dread of being the last living member of a species, poised on the brink of ultimate disappearance. The piece seeks to portray that agonizing moment of looking out into a world devoid of your own kind, burdened by an unbearable loneliness, yet perhaps holding onto a fragile hope for release from this existential weight through the impossible discovery of another.

    Beyond the tragic fate of this specific creature, the illustration serves as a mirror reflecting the human condition. It speaks to our inherent loneliness and the primal fear, dread, longing, and nostalgia that surface when confronted with existential moments—be it personal mortality, the loss of what we know, or circumstances beyond our control. The Kauai-oo’s solitary vigil becomes a poignant symbol for these universal feelings, exploring how even in the face of immense, external forces, the internal landscape is shaped by an overwhelming sense of isolation and a yearning for connection that can never be fulfilled.

    Technical Details:

    • Samsung Tab9 Ultra
    • Infinite Painter
  • The Weight of Lastness

    The Weight of Lastness

    Continuing the visual narrative of the Kauai-oo’s final moments, this second piece shifts focus to the act of looking outwards, a posture imbued with profound symbolic weight. The composition emphasizes the bird’s gaze beyond the immediate frame, a silent witness to an empty horizon where no response awaits its call. Through this outward orientation, the illustration aims to capture not just the physical state of being alone, but the immense existential burden of that isolation, the quiet horror of confronting a future—or lack thereof—where one’s existence has no continuation or reflection.

    The interplay of shade and light becomes a crucial visual language in conveying this sense of finality and dread. Deep shadows often encroach upon the form, symbolizing the encroaching darkness of extinction and the heavy, suffocating weight of being the last. Conversely, areas of light, perhaps stark or distant, highlight the bird’s solitary presence against an indifferent backdrop, underscoring the stark reality of its situation and the ultimate, inescapable nature of its end. These elements combine to evoke the universal human experience of facing moments of absolute powerlessness and the deep, visceral fear that accompanies the contemplation of finality and irreparable loss.

    Technical Details:

    • Samsung Tab9 Ultra
    • Infinite Painter

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