Tag: fabriano

  • Rockwell Church Farmhouse

    Rockwell Church Farmhouse

    I am sharing another graphite piece today that keeps us grounded in Barrow County, Georgia. Not far from the historic church I sketched recently sits this abandoned farmhouse, quietly decaying along Rockwell Church Road.

    Like much of my work, this drawing began as a photograph taken through the lens of my Pentax. There was something immediately striking about the isolation of the structure. For the translation to paper, I chose Staedtler Mars Lumograph pencils. The grading of these pencils allowed me to push the contrast, digging into the heavy, dark textures of the weathered siding and the deep, impenetrable shadows lurking beneath the covered porch.

    To enhance the feeling of quiet observation, I emphasized the barren, skeletal tree branches sweeping across the foreground. They act as a natural frame, pushing the farmhouse further back into the landscape and adding to that subtle, Southern Gothic atmosphere that permeates these forgotten spaces. It is a study in texture, memory, and the slow reclamation of rural architecture.

    Technical Details:

    • 9×12 hot press Fabriano
    • Staedtler Mars Lumograph pencils

    Rockwell Church Farmhouse-Distance1
  • The Throat โ€“ Physical Version

    The Throat โ€“ Physical Version

    This is the final, physical state of โ€œThe Throat.โ€ My goal was to capture the sensory experience of claustrophobia, but the transition to paper added a layer of grime and texture that the concept was missing. The way the red wash sits on the page makes the air in the hallway feel thick, heavy, and hot.

    It transforms a mundane domestic hallway into a trap. The sharp perspective tries to pull your eye immediately to that pitch-black doorway at the end, but donโ€™t rush. Let your gaze slide slowly down the hall instead. Along that saturated path, past the silent clutter and the shapes near the floorboards. The real tension isnโ€™t waiting at the destination; itโ€™s right here, holding its breath in the corridor.

    Technical Details

    • Medium: Acrylic swipe, Sakura Pigma pens, Drip Pen w/ India Ink
    • Surface: 9ร—10 Fabriano hot press
    • Dimensions: 9ร—12

  • Physical Illustration: The Weight of Lastness

    Physical Illustration: The Weight of Lastness

    Continuing the visual narrative of the Kauai-ooโ€™s final moments, this second piece shifts focus to the act of looking outwards, a posture imbued with profound symbolic weight. The composition emphasizes the birdโ€™s gaze beyond the immediate frame, a silent witness to an empty horizon where no response awaits its call. Through this outward orientation, the illustration aims to capture not just the physical state of being alone, but the immense existential burden of that isolation, the quiet horror of confronting a futureโ€”or lack thereofโ€”where oneโ€™s existence has no continuation or reflection.

    The interplay of shade and light becomes a crucial visual language in conveying this sense of finality and dread. Deep shadows often encroach upon the form, symbolizing the encroaching darkness of extinction and the heavy, suffocating weight of being the last. Conversely, areas of light, perhaps stark or distant, highlight the birdโ€™s solitary presence against an indifferent backdrop, underscoring the stark reality of its situation and the ultimate, inescapable nature of its end. These elements combine to evoke the universal human experience of facing moments of absolute powerlessness and the deep, visceral fear that accompanies the contemplation of finality and irreparable loss.

    Technical Details

    Medium: Acrylic swipe, Sakura Pigma pens, Drip Pen w/ India Ink
    Surface: 9×10 Fabriano hot press
    Dimensions: 9ร—12