Tag: synthetism

  • The Yellow Patio

    The Yellow Patio

    Today I am sharing a new graphic piece titled “The Yellow Patio.” The title is intentionally a bit on the nose—an ironic nod to a cheerful early spring setting that actually masks the heavier, psychological weight of the scene.

    Based on a reference photo of a small bistro area, this piece gave me the opportunity to lean heavily into a Synthetist, graphic style of color blocking. The composition is built entirely on the boundary between light and dark, inside and outside. To translate the intense feeling of that boundary, I used deep, unnatural blues and heavy purples to anchor the foreground shadows, which perfectly frame the harsh, acidic, vibrating yellow of the sunlight hitting the concrete floor.

    This piece ties directly into the theme of the “quiet observer” that runs through much of my work. By placing the viewer firmly within the cold shadow, looking out past the empty iron chairs toward a lone, distant figure beyond the fence, it creates a distinct sense of isolation and voyeurism. It’s a moment of being entirely separated from the warmth and the outside world, suspended in bold, flat color.

    Technical Details:

    • 9×12 140lb hot press
    • Sakura fine liners
    • India ink
  • Evening’s Quiet Unrest

    Evening’s Quiet Unrest

    Today I am sharing a new mixed media piece that explores a specific memory—twilight in a silent meadow. This composition, based on a low-light photograph taken a few years ago, was an exercise in capturing a delicate visual tension. The scene possesses a profound tranquility, yet beneath that stillness lies something subtly unsettling—a feeling I wanted to preserve and amplify.

    While the original photo provided the structure and the quiet posture of the figure, the translation to paper was driven entirely by a need to dictate emotional weight through medium. I build the density and movement in the foreground undergrowth through networks of energetic, scratching lines using Sakura fineliners and Faber-Castell Pitt pens, contrasting against the still, flat fields of color in the sky.

    By utilizing a Post-Impressionist or Synthetist palette—swapping natural colors for a heavy, low-light atmosphere of muted purple, cool blue, and an unnerving yellow-green—I aimed to create a psychological filter. This piece combines the raw texture of graphite and ink from my earlier studies with the bold, non-naturalistic color blocking I’ve been exploring recently. It is a portrait of solitude, suspended in a vibrating, eerie twilight.

    Technical Details:

    • 9×12 140lb cold press
    • Faber-Castell Pitt pens
    • Shuttle Art paint pens
    • Staedtler Pigment Liner
    • Sakura Pigma

  • Cranes and Philodendron

    Cranes and Philodendron

    In my latest piece, “Cranes and Philodendron,” my goal was to translate an internal state into a visual language, using the landscape as my primary medium. The strong compositional elements, like the framing leaves and distinct color fields, draw directly from my interest in Ukiyo-e and Post-Impressionist Synthetism. The defined lines and flattened perspective are an intentional departure from naturalism, allowing the focus to shift toward the scene’s emotional tone and purely aesthetic qualities. The palette itself is Fauvist in spirit; the heightened greens and radiant yellows are meant to evoke the potent atmosphere of a quiet, ephemeral moment rather than to document a literal space.

    This illustration is a direct reflection of my practice, where observations of the world are synthesized with introspective inquiry. The juxtaposition of the serene, stylized cranes within the wild, sprawling foliage touches on the ironic and narrative themes I often explore. For fellow artists, the piece is a case study in stylistic fusion. For collectors, it offers an emotional landscape—a work that aims to do more than represent a scene, but to capture the transient feeling of a specific instance of discovery, hope, and quiet contemplation.

    Technical Details

    Medium: Digital, Infinite Painter
    Surface: Samsung Tab 9 Ultra
    Dimensions: 9×12