This piece focuses on the bridge crossing the Chattahoochee. I was drawn to the composition here—how the gnarled tree on the left acts as a natural frame for the stone arch and the Germanic architecture beyond. It’s a study in the intersection of nature and the unique character of this Alpine village.
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There is a quiet permanence in a stone bridge that I find endlessly compelling, especially against the backdrop of the Blue Ridge Mountains. Unlike the shifting water beneath it or the skeletal branches of the trees above, the bridge stands as a testament to craftsmanship and time.
In this piece, I wanted to capture that contrast. The challenge was in the sheer variety of textures found in this mountain landscape: the jagged, individual faces of the foreground rocks, the weathered masonry of the bridge, and the delicate, almost ethereal network of the winter trees.
Working in this monochromatic style allows me to focus entirely on the “architecture” of the scene—how light hits a rough surface versus how it filters through a dense thicket. It’s a meditative process of building layers to find the true weight of the place.
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Pencil drawing of a small barn along the roadside in late southern winter.
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From the sun-drenched coast of St. Simons Island, Georgia.
This illustration is a portrait of a single, magnificent Southern Red Cedar that caught my eye. More than just depicting the tree, this piece is a direct study in light—how a bright, clear sun can describe every twist of a branch and lay its entire structure bare in the shadows below.
A quiet moment of observation on the Georgia coast.
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Date taken: 10/28/2012
Camera: Nikon D5000
ISO 320 | F/11 | 1/320
38mm Focal Length
Imagine you’re walking through this tranquil winter forest, really taking in the peace and quiet. As an artist, I can’t help but appreciate how this watercolor captures the essence of that scene. The use of bright yellows and oranges for the tree trunks against the cool purples and blues of the background creates such a striking contrast.
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