Today I am sharing a new multi-media piece that continues to push the boundaries of my recent experiments with pointillism, but with a distinct narrative twist.

This piece, based on an older photograph of a dense tree line and brush, relies on a highly textured mix of India ink, acrylic pens, and Pigma fine liners. To capture the thick, almost claustrophobic atmosphere of the undergrowth, I combined sharp, vertical scratches for the tall grass with heavy, vibrating dots of color. The optical mixing of the bright yellows and oranges in the foreground against the deep, heavy purples and blacks of the background gives the entire scene a buzzing, nocturnal energy.

But this isn’t just a landscape study. If you look closely at the middle-right side of the composition, tucked away in the tall grass, there is a cloaked figure wearing a wide-brimmed yellow hat.

I rendered this figure using the exact same pointillist and linework techniques as the surrounding environment, perfectly camouflaging them into the brush. Much of my work centers around the idea of being a “quiet observer” in rural, forgotten spaces. With this piece, I wanted to flip that dynamic. It introduces a subtle, eerie, Southern Gothic narrative—a reminder that when you are out observing the quiet edges of the world, sometimes you are also being observed.